Tuesday, June 13, 2023

Transformers: Rise of the Beasts Review

While the critics blasted Transformers: Rise of the Beasts, really they are complaining that the film continues all the hallmarks of what a Transformer film is, with all the good and bad. Ultimately the result is an entertaining popcorn action film. As others have pointed out, it doesn't have the heart of Bumblebee yet it also avoids the story and fast editing mess that was the hallmark of the Michael Bay films.

The story is straightforward but it still relies on the Bayverse chestnut of tracking down a McGuffin that can be destructive or constructive depending on who is weilding it. The Autobots want it to return home to Cybertron, the bad guys want it so Unicron can drop by and have Earth for dinner. The entire story is tracking down the two parts of the McGuffin as the Decep... I mean the Terrorcons fight the Autobots over it. The story takes odd little shortcuts to justfiy why the Optimus Prime and company are willing to work with humans, the first time being actually very practical and by the end of the film the reasons are forced but at least the effort was made beyond "just because". There is an attempt at a story arc for Optimus Prime involving learning to trust humans that to me was unncessary considering the character's core philosopy is "Freedom is the right of all sentient beings" but the films are not known for a character arc, its something different. Unicron's appearances are impressive and epic in scope just do his sheer size but story wise he is effecitvely just another McGuffin.

Since films have a budget, it means the movie cannot be all robots, all the time, so here we have two main human characters. One is an ex-soldier worried about his family, the other is an academic forced along for the ride due to her knowledge. The film attempts to give them a backstory of sorts but honestly just like in previous films, its more to justify character decisions and could be skipped. The backstory is mostly about budget savings of having scenes that do not necessarily require expensive special effects to pull off.

This brings us to the usual high point of all the films which is the special effects. The Transformers all look outstanding, there are plenty of transformation sequences, and every penny they could spare was used to allow them to be on screen as much as possible. Really once the Transformers were introduced after an action squence involving Jazz.. I mean Mirage's car mode, there were few scenes that didn't have them on screen in either alt mode or robot mode. The action scenes are handled with skill so fortunately the editor didn't have to use quick cuts to hide lazy film making like the Bay films required. If there was one quibble its that the action scenes still suffer from a look of uniformity across the second tier characters where it becomes a mess of gunmetal clashing with gunmetal. There is a practical reason that Hasbro designed the characters to have set colors to define them. It makes it them easy to identify even if cannot remember their names and outside of Mirage and Optimus Prime, that use of color was never employeed well so often times would get confused on what a character was doing when in robot mode. It is something they really need to work on for future movies.

The acting on the film was as good as expect with any Transformers film. The human actors do a good job at the roles given which I know meant reacting to nothing but air. They get their moments, often forced to provide that human perspective to any given sequence whether its needed or not. The voice cast do their job, even though it leaks through that some were just there to collect a paycheck and little else as emotional inflection was far and few between. The stand outs were Peter Cullen as Optimus Prime who somehow plays the same role for decades and yet makes it sound new and impressive everytime and Peter Dinklage as Scourge who seems to relish being the bad guy.

If I had one huge negative of the film it was the music. Thanks to Guardians of the Galaxy's James Gunn, directors' seem to feel like they need to create music moments in their action films and frankly few have the story or the skill to do it right and that was the case here. Because of the emphasis on 1990s music along with the sounds of fighting, 90% of the time I could barely hear the score. Really the only reason I know the film has a score is because it has been released on streaming services and every now and then I would pick up hints of Transformers The Movie chords during Unicron scenes. A good score can often take a meh scene and help it soar as it works with what is on screen to convey the emotion the director intends and here that couldn't happen because the sound mix wouldn't allow for it. The result was a film that often felt flat to me. I could visually enjoy the film, appreciate the transformations, the effects, and more but emotionally it did nothing for me.

If I had to sum up the movie, it would be "it was fine." Writing this up I just kept wanting to use the word "fine" to describe everything. The story was fine, the various characters were fine. The acting was fine. The directing was fine. Nothing stood out one way or the other compared to previous Transformers films or current action films. I was expecting a Transformers film and that is exactly what I got. A fun action romp with a whatever story, involving whatever characters, clashing and duking it out with the best special effects Hollywood can provide.


Side Note: If by some miracle the producers of the franchise or the director see this, I have one piece of advice - fly free from the Bayverse. This film in its own weird way with use of Beast Wars characters and Terrorcons, is trying desperately hard to not contradict the Bayverse continuity too much (despite everything about it contradicting that continuity) and that likely held back what the director and writers might have done without such constraints. Just stop it. Embrace Bumblebee and Beasts is a new continuity so that means that all the Decepticons and Autobots are now back in play and take advantage of that. The film ends on a very interesting connected universe note that comics and Hasbro fans have long wanted for live action. Such an idea only works if you 100% abandon the Bayverse continuity. Its time is over.

4 comments:

  1. Couldn't agree more! Some reviews talked about this film as a reboot and when I watched it, I had the same opinion. A few days later the internet is full of statements by the producers and the directer, that is a prequel. This is so unnecessary. Just leave the Bayverse behind!

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  2. Nice review! Keep up the good work.

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  3. WARNING:
    LIGHT SPOILERS IN THIS RANT
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    I loved the film. It's Transformers, not Shakespeare. It has plot holes the size of Prime ( the ones in the Bay movies were the size of Unicron) but it has more continuity with BB than any of the predecessors had with the movies that came before them. Sure some elements carried on from one movie to another but a lot of elements were changed to serve the plot of a particular movie, ignoring the previous. Example: movie 1 set the Allspark as the life giving mcguffin and the reason any of the bots set foot on Earth... FOR THE FIRST TIME. Then, movie 2 has Cybertronians on Earth since ages ago and Megatron is somehow a servant of The Fallen, and the Cube (or its shards) is little more than plot fuel, no longer the super entity from before. Then, movie 3, ignores The Fallen, has Decepticons coming to Earth looking for the new McGuffin - The Space Bridge - in the 60's. And then we get to Age of Extinction and... well Bay went mental...

    Anyway, although Rise of the Beasts is a mostly self contained story, it does aknowledge the events BB without any contraditions. Bee and Optimus mention Charlie and how she helped Bee, the 7 year timeline tracks, etc. So, finaly we have 2 movies that seem like a coerent story arc.

    So yes, I agree the Bayverse should be left behind and they should just move on from here. As it is, this continuity already contradicts the 2007 movie by having bots on Earth (events of the 2007 movie and official tie ins state they hadn't been here before. The sequels ended up contradicting this but that is not a good thing). LdB quasi stated this is now a different continuity and he should stick with that.

    That aside, the movie itself is fun. Mirage's ability to change to apparently anything should have been explained. Hell, the guy an create holographic projections of himself, they ould have just gone with that, "I'm still a Porshe, I just look like a garbage truck". As for people saying he is annoying... really?! He's nowhere as annoying as Sam was even at his best. The "cojones" line... that I could live without but otherwise, not that bad. Prime's new demeanour... I can live with it and how they explain it. Wheeljack... not great but also not as bad as I thought it would be. And he does get his classic "ears" for a couple of shots (even in the trailers), though its mostly a "blink and you'll miss it" thing. Bee and Arcee are great if underused. Stratosphere... serves his purpuse, I guess.

    The Beasts... I thought they were awesome but for a movie that has them in the title, whoefully underused. Airazor gets a bit more screen time, with Primal close behind, but Cheetor and Rhinox are barely used.

    (to be continued)

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    1. (part 2)
      As for the Vilains, good to see the trend from BB carry over with scary vilains that are actually threatning, though their threat level seems to go way down when the plot requires their ultimate defeat. As for Unicron... he was there. You feel his presence.

      Humans, another trend carrying over from Bee, not totally annoying and actually serve a purpose and have sort of a story.

      The one truly disappointing thing in RotB is, as you mentioned, the music. Aside the Maximals theme, the rest doesn't stick to you as "Skorpinok", "Arrival to Earth", "Optimus" or "Bumblebee" still do. Which is funny because the only other tracks in this score that do are by Jablonsky and have elements of "Optimus" and "Autobots" mixed in. Don't get me wrong, by "Age of Extinction", even Jablonsky's scores were suffering from the same "generic syndrome" as this one, with only a couple of cues standing out, usually using leitmotifs of previous scores. And using "In My Soul" as BGM to the final battle... really?! As Noah says at one point "Nah....! Nah! Nah! Nah!"

      So, wraping up, RotB is a good TF movie I'll be happy to rewatch alongside Bumblebee and the 2007 Transformers (though parts of that one are becoming increasingly hard to stomach). The rest...DotM is still nice... but I might just end up doing an edit of the others with just the robot action because the rest has become truly painful. The Last Knight... I watched it only a few weeks ago for the first time and I was gutted with just how bad things had become. Not even Lennox's return could save that steaming pile.

      Rant over. Have a nice day. :D

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