Now on to few more reviews.
With machines that are impressively more lifelike, and characters that are more and more like machines, "Transformers: Revenge of the Fallen" takes the franchise to a vastly superior level of artificial intelligence. As for human intelligence, it's primarily at the service of an enhanced arsenal of special effects, which helmer Michael Bay deploys like a general launching his very own shock-and-awe campaign on the senses. Otherwise, little seems new compared to the first installment, except that this version is longer, louder, and perhaps "more than your eye can meet" in one sitting. It will reap similar B.O. rewards worldwide.The Hollywood Reporter
But the true stars here are the Transformers themselves, who continually steal the spotlight from the flesh-and-blood cast, even in scenes of tragic death or comic relief usually reserved for real actors.
With its intelligence at the level of the simple-minded, however, the film is not likely to attract moviegoers who seek something more than a screen filled with kaleidoscopes of colored metal. Fan boys will no doubt love it, but for the uninitiated it's loud, tedious and, at 147 minutes, way too long.Empire Online (3/5)
Devastator..lumbers up the dusty colossus, a shot tilts up to its mid-section, revealing two wrecking balls dangling down. Yes, Michael Bay...has one-upped himself: Decepticon testicles. If the thought of that gag makes you laugh, chances are you’ll have a ball with Revenge Of The Fallen. If not… well, Bay really doesn’t care. His first and only sequel since Bad Boys 2 is, like that film, marked by swaggering confidence, wild excess and a string of bad-taste jokes. ...The plot, meanwhile, is as baffling as before, not only bringing back the abstruse Allspark but throwing in a new MacGuffin called the ‘Matrix of Leadership’. It tries harder to be funny but is actually less so.
What saves it, just about, are the effects. At times the frame is so packed with whirring cogs and twirling cranks that you could replicate the effect by staring at the innards of a domestic appliance, but when these CG moto-men from another world duke it out, the images are often so screwy it’s impossible to do anything but sit and stare. The Shanghai-set opening sequence is lunatic fun, with Optimus Prime leaping onto the face of a colossal, rampaging unicycle and ordering it to, “Pull over”. And while Prime’s later forest face-off against a trio of Decepticons suffers by comparison to a recent film’s spar between a big ape and three dinosaurs, there are more flawlessly rendered money shots in the last 40 minutes alone than in a dozen less ambitious blockbusters.