The Editing of Transformers

FX Guide has an article up that covers the effort that went into editing Transformers together. It also has a brief interview with Michael Bay that focuses on the editing aspect of putting the movie together.

The full article is here.

Some highlights:

- Editor Glen Scantleberry worked about 10.5 months editing Transformers together with a lot of it being alternate edits together for Bay to choose from and modify.
- Often used pre-visualizations to help edit the movie together since working off of footage that didn't yet include the CGI robots and needed to get timing right so could turn the edit over to ILM for inserting the CGI.
- Animatics where used in the editing but sometimes changes where made based on set or post production ideas (wonder how much included CGI heavy shots though).
- 5 editors and 1 associate editor worked on the film, all of whom worked with Bay in the past.
- The editors where not fans of the Transformers so Bay had to make sure they didn't cut out references.
- To edit, will put together a full length guild, with animatics, temp dialogue, temp music and temp sound effects to get idea of how things may go together. Usually the storyboards are the guide but subject to change based on director decisions during shooting.
- Bay had final-cut on the film so the theatrical version is the "Director's Cut". (It's why hear about "Extended Edition" DVDs instead as its the Director's Cut with cut scenes added back. If hear about a Director's Cut it usually means the studio had final say on how the movie was put together, usually for the worse cause of too many cooks in the kitchen syndrome.)
- "There are about 630 visual effects shots in the film. There are 430 executed at ILM, 91 at Digital Domain, 70 at the Asylum and the rest are 2D clean up and fixes done by CO3, ISolve and Ken Blackwell. Technical advancements were made in environments, lighting, and simulation of physical effects and integration of CG characters in a real environment."
- ILM did the Transformers, Digital Domain on other scenes including the soft-drink robot.
- “Overall, the most challenging shot is OH020 which is a 360 degree descending camera move on Optimus that rotating around to reveal all four Autobots transforming in an alley”, says ILM visual effects supervisor Scott Farrar. “The shot was filmed in two separate camera moves from two separate rigs: a Russian arm mounted to a camera car and a 50-foot Technocrane. The plates were combined and blended. The 768-frame-long shot moves from an overhead medium close up on Optimus finishing his transformation, into an extreme close up of all the moving parts, then widening out to reveal our hero talent. Shia and Megan watch all four robots individually transform with their own unique style.”
- 1.2 million feet of film shot for the movie