



(source)
Fan InfluenceWhat does he mean? Go to the site, click to enter the site, notice the nice CGI Cybertron, then go to the trailer section. A nice little bit has been added at the end.
You guys got a major, but subtle alteration made to the trailer ALREADY.
Chills and Cheers are Guaranteed.
Tomorrow morning on the Official Site.
Be there.
I will link to it as soon as I can.
To swing this back to the live action Transformers film, does that mean her work can or can not be used in the upcoming movie due to the ongoing litigation. If it can be, what is the fee or royalty costs associated with that and will the producers pay it? Will the soundtrack producers pay it too? I guess only time will tell.
The PRODUCTION fees were very small. The royalties were licensed back part of my compensation as a writer. That is how it's done in music publishing. Professional composers and songwriters write for royalties and do not relinquish them. I am simply trying to enforce my agreements and claim my royalties.
Thanks,
Anne Bryant, composer
and
An Open Letter from Anne Bryant
Dear Transformers Fans,
Thank you for your support of the Transformers over the years, and thank you for your support of my original Theme Music, which has become associated with the Transformers products and properties. Because of your support, "The Transformers" has truly reached a pop culture status.
I also write to thank you for your many kind and supportive remarks regarding my exhausting, six-year litigation process. The blogs have been favorable, in the main, and I can tell you that your support means much to me in my David versus Goliath struggle to claim the royalties long due to me.
To clear up any confusion here as to my motives and timing, I can say that my investigation into my pathetically negligible royalties for the TF theme began in 1994, six years prior to filing a formal lawsuit in 2000; including that in 1998, I contacted BMI, and then, as instructed, I repeatedly followed their formal inquiry procedures to the letter [for two years], without a single response from them. These big organizations have all of the records, so it is difficult for a composer to unravel problems, or perhaps even to identify honest mistakes, without their help; without their cooperation. As such, frustrated with the lack of response from BMI, I packed up all of my correspondence, proofs, contract numbers, original registrations and payment forms and went to see my attorney. He also tried to get satisfactory information from BMI for several months, but lacking any serious help, we moved to file a formal claim so that we could demand records from them. Concurrent with this, it became evident that my themes and songs [Transformers and others] were being used on a multiplicity of recording products licensed by Sunbow without any accounting statements or royalty payments to me, hence, the scope of this legal action.
As indicated above, in no way was this lawsuit motivated by the new DreamWorks live action movie; the movie was not even a glimmer on the horizon when all of this began. I don't know whether they plan to use my theme in the new movie, and of course, I would love it if they do, but this litigation is first and foremost about the past and present royalties due; the future for Transformers, Jem, ML Pony and GI Joe and the other themes, if there is one, can be handled when the case is decided or settled.
Additionally, I can tell you that I have no rights to claim royalties for music composed by Ford Kinder, my former partner in our production company, except in any instances that our interests may overlap. We were separate writers -- not collaborators -- who jointly owned a production company we formed to take responsibility for all aspects of the full and final production of music that either he or I composed. As such, we credited any music that we produced through our company to both of us. This we did in order to build our company name. Ford and I wrote and produced several hundred pieces of music each year; this was our profession. Basic fees were paid to our companies for our services as producers, arrangers, *musicians and singers. And always, we were to be compensated, personally, as composers solely through our royalty payments. This is standard in the Commercial Music Business: writers write for royalties; professional writers always retain their royalties. So, this is what I am demanding in my court action: account for and pay the past and present royalties as agreed, and correct the records for the future.
I sincerely hope this will clear up any misunderstandings any of you may have; and I hope you will continue to support my efforts to be fully compensated as I face this well-financed, brutal opponent that would rather pay millions in legal fees, than pay to settle this matter.
See you at the movies: 7-4-7.
With all good wishes,
Anne
* Additionally, you may be interested to know that no "Secondary Market Payments" have been made to union musicians and singers for the use of their performances on TF, JEM and other television themes originally produced for Sunbow and GBI. Sunbow simply lifted these performances onto recording products and licensed them to distributors without making those payments required in their Union Contracts. The Screen Actors Guild and the American Federation of Musicians are working to recover payment to the performers in actions separate from my lawsuit.
HEAD STOOGE: The Last Sunday Post of 06, Now On SaturdayWe 3 was an excellent 3 part comic series from Grant Morrison about government created cybernetically enhanced cat, dog and rabbit that escape and discover the world for the first time with mixed results. If filmed close to as written, could be good but Murphy's League of Extraordinary Gentlemen leaves me wary. Murphy has excellent taste in properties, its the constant "re-imagining" of an already proven concept that is the headscratcher. Anyway still plenty of TF news to be leaked for next year including the voice casting and the final designs of all the robots. Also probably around late April early May will be the final trailer for the film to begin the push for July 4th dominance over Die Hard 3.
Come gather ye Stooges and Hear a New Tale....
This will likely be the last posting of 2006. I am basically gonna miss Christmas this year, since Susan and I are knee deep in WHILE SHE WAS OUT, prepping in Vancouver for a February shoot. We hope to go right from that into FACES OF DEATH, and then who knows what next year will bring. (WE 3 ? Yes Please!) If it is a year like 2006, then please, more, more!
SHOOT-EM-UP is now tentatively scheduled for September 7, 2007. The film is amazing, exciting and funny as shit. Can't wait to show you the new trailer.
The TRANSFORMERS trailer comes out December 20th online. I'm not going to hype it. If it doesn't silence the haters, nothing will. The reality is that this film comes out July 4th, 2007, and the producers and the studio are already talking sequel. We know what we have is an exciting and amazing summer blockbuster.
The Don Murphy Message Board was set up by a fan of mine to discuss my movies. Soon, certainly by the new year, there will be a banner on top of the page advising that Transformers discussion should be moved to www.transformersmovie.com . I mean, you can post whatever you want wherever you want I guess, except there is no point anymore. The film is shot. The first director's cut comes in next week. ILM is rendering the film. We all think that the film kicks ass. But, no matter what you post, it isn't changing. All the polls in the world no longer make a difference. It seems to make more sense to discuss the movie on the movie site.
I know that from the beginning of this board, I have done my utmost best to make the fan base as happy as I possibly could. You guys demanded Cullen and despite resistance from some quarters he is in there. I feel Welker will hopefully come in there as well. There were things you wanted that frankly made no sense in a live action movie. And there were things I could not deliver, because I was only one voice among many. I think the board served its purpose and along the way created a community and for that I am most grateful.
I hope you'll all have a great Holiday Season and be good to one another out there. Make the internet a little less hatefilled. Enjoy movies that look good. Enjoy your families and take care, and hang tight, Stooges, hang tight.
(source)It has been awhile since I've posted. Finished shooting end of Sept., on budget, just came under $300,000. I beat Pearl by a $100,000. I had a great time making this movie, the cast and crew were amazing.
Today I just finished the new teaser for Christmas and I think it's AWESOME! The trailer mixing Guru who does all the big summer movies turned to me and said with a little more ump - it was "fucking awesome".
I think some of my films have had good teasers but this one is just makes a statement. It's hard edged to show we are not a silly "toy" movie. We show just hints of robots - and almost none of our epic shots are in this teaser, but the movie just looks big. I had a room full of 20 Tranformers adult geeks, and they all applauded at the end.
It comes out the 22nd - see it in the theater! Let me know what you think.
Michael Bay
His post:
I spoke to Mike about a week ago, and as you can imagine he's busy editing the movie.
He indicated that the trailer was basically done (minus a little CGI work) and that if all goes according to plan, the trailer should be out by the weekend of the 22nd of December.